★★★★★ ‘A deeply clever & dark exploration of the worst parts of our human relationship with social media.’ - Neurodiverse Review

★★★★★ ’Groundbreaking is a mantle that I truly believe her performance deserves.’ - Theatre Weekly

★★★★ ‘As if Bo Burnham’s Inside was made by Bridget Jones’s drug-addled cousin.’ - British Theatre Guide

★★★★ ‘An electrifying roller coaster through the digital age’s emotional maze!’ - Ed Fest Reviews

★★★★ - A stunningly inventive, powerful, thought provoking show’ - Everything Theatre

★★★★ ‘Eleanor Hill is a master storyteller’ - London Theatre 1

★★★★ ‘Eleanor’s performance is brilliant and thoroughly captivating’ - Collect From The Box Office

‘Endearingly, recklessly look-no-hands bold’ - Lyn Gardner

‘Makes Fleabag look like CBeebies.’ - Audience Member

‘At once very raw and technically ambitious’ - The Guardian

SAD-VENTS

★★★★★ ‘Eleanor’s writing is sarcastic and sharp; the language is laced in fun and fragility’ - Ed Fest Mag

★★★★ ‘Bold, unapologetic, and certainly unique, a terrific example of innovative theatre.’ - Broadway Baby

★★★★ ‘A brilliantly original one-person show – raw, real and delightfully silly.’ - West End Best Friend

★★★★ ‘A true masterclass in the performance of a one-woman show’ - Lost in Theatreland

★★★★ ‘Eleanor Hill is an astounding performer, the show could be a Netflix special’ - The Understudy

★★★★ ‘A Bloody Delight’ - Edinburgh Reporter

★★★ ‘An impressive feat of performance and technology’️ - The Stage